Juntos

Photography has been a part of my life for over 10 years. Since my first iPhone, I began seeing photos as a way to explore the world and capture life around me. In the early days, I photographed my friends, graffiti, architecture, and my family, often applying heavy Instagram filters with high contrast and an

unreal amount of saturation.

After high school, I enrolled in San Jacinto College and pursued traditional photography. This marked my first formal training in the medium, leading me into analog film, proper exposure, and an appreciation for pioneers like Diane Arbus and Annie Leibovitz. Simultaneously, I delved into Tumblr blogs featuring music and fashion photography, inspiring projects centered around themes like hip-hop, dance, and family, although lacking cohesion.

Later, at the University of Houston, pursuing a Bachelor of Arts in Photography and Digital Media, I was exposed to a broader range of photographers and mentors within the program. Additionally I discovered new greats such as Henri Cartier-Bresson, Daido Moriyama, Nan Goldin, Mary Ellen Mark, and Manuel Álvarez Bravo who influenced my work, sparking an interest in street photography, abstract visuals, and a deeper understanding of portraiture.

Looking back, my family was always my primary subject when experimenting with new styles or mediums. Every family gathering became an opportunity to document and refine my skills as a photographer, ultimately leading to the creation of “Juntos,” meaning “together” in English.

The purpose of this project is twofold: to document my family for future generations and to share our stories of tribulation, perseverance, and hope, which could resonate with others. Over the past few years, we’ve experienced death, new life, illness, recovery, heartbreak, and growth. Family is a precious commodity, and through it all, we’ve faced life together.

This copy of “Juntos” is a proof-of-concept zine that

focuses on the years 2022-2024.